Tag: survivor’s dread

The Outlast Trials – Log 6: Cleanse the Orphans


Location: Orphanage
Trial: Cleanse the Orphans
Difficulty: Standard
Grade: A+


Back to The Outlast Trials hub

I’m getting a bit fed up of the police station.

I know I still have a couple of trials to do there, but I’m ready for a change —
and, if I’m honest, I’m ready for a break from Coyle.
I want to meet some of the other Prime Assets.

So I head to the Orphanage and decide to properly meet
Mother Gooseberry.
I encountered her during the tutorial, but this would be my first real trial with her.

I only have one option available: Cleanse the Orphans.
I’m not entirely sure what that means, but I’m about to find out.

My first task is to enter the Orphanage.
Easy enough.

Mother Gooseberry is there to welcome me.
Helpful of her to make sure I know she’s around.

Next, I need to broadcast the religious station,
followed by tuning radio receivers in the dorms.
I check the map more than once here — mostly to make sure I know where I actually am.

I even get a brief appearance from Mother Gooseberry during this section,
but I’m hiding in the dark and she doesn’t see me.

After that, I’m tasked with swapping film reels.
I struggle with this for a bit, mostly because I have no idea where they are.

Eventually, the game takes pity on me and points me in the right direction.

Next up is stopping the blasphemers in the church.
That part is simple enough — just smash the jukebox.

I’m a little concerned about how much noise I made,
so I hide.
Probably unnecessary, as the next thing I know,
a man appears on a cross and gives me my next objectives.

I’m told to power the generator and find the saw handle keys.

This time, I make sure to check the TVs before heading out —
mostly because there are no Big Grunts chasing me around this time.

I struggle a bit with the generator,
but during that process I discover a random button.
The game tells me that if I find a second button,
I’ll unlock a secret room.

It takes a few attempts thanks to being chased and juggling the generator,
but I eventually find both buttons and access the secret room.

Once again, the game helps me by showing possible key locations.
I head back to the chapel and prepare to
Serve the Body of Christ.

I thought electrocuting the Snitch was bad.
This felt worse.
Probably even more so if I were religious.

Once that’s done, it’s time to head for the shuttle —
but not before Mother Gooseberry makes another appearance.

I throw an item at her.
No idea if it connected,
because I immediately ran out of the chapel and shut the door behind me.

I eventually make my way back to the shuttle,
getting one final look at Mother Gooseberry before leaving.

Grade: A+

My first one.

More importantly, this trial taught me something:
I think it’s time to increase the difficulty for the next run.

Video

Surviving, not suffering.

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The Outlast Trials – Log 5: Release the Prisoners


Difficulty: Standard
Trial: Release the Prisoners
Grade: B+


Back to The Outlast Trials hub

I’m still sticking with Standard difficulty.
This time the trial was Release the Prisoners.

The first problem was finding the key to the security room.
It reached the point where the game had to tell me exactly where it was —
all I had to do was bash a door down to get it.

The second problem was finding the security room itself.
I got lost.
Completely.

That meant dealing with various ex-pop along the way,
including the fire-wielding lunatic from the previous trial,
and someone who claimed they could see me in the dark.

Thankfully, not in my hiding spot.

No trial in the police station would be complete without Coyle,
but before I got to see him again,
an ex-pop decided to give me an extreme dose of hallucinogenics.

I genuinely thought I was going to need to find an antidote,
but thankfully it wore off on its own.

Eventually, I found a sign — an actual sign — with an arrow pointing to the security room.
From there, I managed to free the prisoners.

Then it was time to leave.

Naturally, I was given another dose of hallucinogenics.
Entirely my fault.
I could see the box was trapped.
I chose to ignore it.

I somehow survived that.
I nearly didn’t survive a third dose,
until I remembered I still had a bandage and used it to heal.

I have no idea how I found the exit area.
I just did.

Of course, Coyle was waiting for me.
I called the shuttle and got zapped by him yet again.
One more hit and I would have been done.

While waiting for the shuttle, I ran him around a parked car and hoped for the best.

In the end, I finished with a B+.

I could have done better.
But it could have been a whole lot worse.

Video

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The Outlast Trials – Trial Log #4: Sabotage the Lockdown

Difficulty: Standard
Trial: Sabotage the Lockdown
Prime Asset: Coyle
Grade: A-


Back to The Outlast Trials hub

I’m sticking with Standard difficulty for another trial.
No need to press my luck yet.

This time it’s Sabotage the Lockdown.
The task sounds simple enough: reach the exit.

What the briefing neglected to mention is that I’d be carrying a gas canister the entire way.
Or that Coyle would be on my tail for the whole trial.

I didn’t even make it two rooms in before Coyle spotted me.
So I did the sensible thing.
I ran straight back to the start and hid.

Once I was sure he was gone, I went back for the canister.
Naturally, an ex-pop decided to appear at that exact moment,
so I returned to my hiding spot again.

Progress was slow, but methodical.

At one point, I was convinced I’d have to throw something at Coyle and make a break for it.
All he had to do was turn left.

He didn’t.

I’m choosing to believe the sunglasses aren’t helping him.

I eventually reached the generator, but even then, the slightest noise had me diving into corners to hide.
Once it was powered up, the exit was right there.

Somehow, after all that, I finished with an A-.
I was close to an A+, but I’ll take it.

Video

This run continues to reinforce the same lesson:
slow progress beats reckless confidence.

Related series:

Outlast – Apex Predator Run

Surviving, not suffering.

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The Outlast Trials – Trial Log #3: Cancel the Autopsy

This Trial was my first run on Standard difficulty.
I completed it.
How cleanly is debatable.

Viewer discretion advised. The Outlast Trials is intended for mature audiences and contains graphic violence, disturbing imagery, and psychological horror.

Full Trial recording:

Cancel the Autopsy

The first key was straightforward.
No issues there.

The problems started after picking up the second key.
I thought I’d avoided one of the larger enemies.
I had not.

He spotted me and gave chase.
I ran for the gymnasium, assuming I’d shaken him.
I hadn’t.
He followed me in.

Losing the Thread

After finally finding somewhere safe, I realised I’d made a simple mistake:
I hadn’t checked the clue for the third key.

That meant backtracking.
More movement.
More risk.

Once I did find the clue, the third key turned up in the first place I checked.
Naturally.

The Exit

When it came time to leave, Coyle decided to get involved.
He chased me most of the way to the exit.

I called the subway and tried to hide in a locker.
Coyle immediately pulled me out and shocked me for the effort.

As soon as I had the chance, I ran.

Afterwards

Despite everything — the chase, the backtracking, the locker incident — I somehow finished the Trial with an A rating.
I’m still not entirely sure how.

What I am sure of is that it was a lot of fun.

Standard difficulty already feels like the right place to be.
There’s pressure, but there’s still room for things to go wrong without the run collapsing entirely.

Series Notes

This was a single attempt, recorded as it happened.
There were no retries for recording purposes.

Mistakes stayed in.
Chases stayed in.
The rating was whatever the game decided it was.

Continue the Series

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Staying Connected


A quick housekeeping note.

If you want to keep up with what I’m playing, recording, or writing between blog posts,
the easiest way is to follow me on social media.

I share short clips, updates, and moments there —
sometimes things that never quite justify a full blog entry.

Recent Short

A brief moment from The Outlast Trials, shared as a short.
These clips usually capture instinctive reactions, close calls, or situations where stopping to think would have been a mistake.

You’ll find links to all my social platforms at the top and bottom of the site.
That’s intentional.

I’d rather keep everything visible and easy to find than rely on pop-ups or constant reminders.

No pressure.
No expectations.
Just another way to follow along if you want to.

Surviving, not suffering.

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Announcement: Outlast – Apex Predator Run

I’m starting a new playthrough of Outlast, using what I’m calling the Apex Predator ruleset.

The idea is simple:
every death counts.
Three strikes, and the run ends.

Outlast isn’t a power fantasy.
You can’t fight back.
You can’t overpower anything.
Survival comes down to awareness, restraint, and not making the wrong decision at the wrong time.

The Apex Predator ruleset exists to give those moments weight.
It allows room to learn without encouraging recklessness.

This run sits under Survivor’s Dread and has its own hub:

Outlast – Apex Predator Run Hub
.

It will run alongside my ongoing work in
The Outlast Trials,
which has its own hub here:

The Outlast Trials Hub
.

Where possible, the two series will alternate, keeping the focus on survival horror as endurance rather than performance.

There’s no guarantee of success.
If the run ends, it ends.
That’s part of the design.

Surviving, not suffering.

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The Outlast Trials – Trial Log #2: Eliminate the Past

This was my second attempt at Eliminate the Past.
The first ended quickly, mostly because I forgot to hit record. So I had to stop the trial midway through.

This time, I remembered to hit record.

Viewer discretion advised. The Outlast Trials is intended for mature audiences and contains graphic violence, disturbing imagery, and psychological horror.

Setup

For this run, I took the X-ray ability.
Not to min-max anything, but because wandering blindly on a timer felt like a bad idea.

The aim wasn’t to clear everything.
It was to get out before the door shut.

Eliminate the Past

There were ten records available.
I destroyed four.

That sounds low, but the Trial makes it clear very quickly that stopping for too long is how things go wrong.
Between patrols and the clock, every decision boiled down to whether it was worth the risk.

Most of the time, it wasn’t.

The Escape

When it was time to head back to the gymnasium to begin my escape from the Trial, I promptly got lost.

By the time I found my way back, I had three minutes to get out.
I managed it with roughly three seconds left on the clock.
I didn’t even notice the cop waiting to say goodbye — I just sprinted straight past him.

It didn’t feel like a win.
It felt like just about scraping through.

Afterwards

This Trial reinforced what the game has been pushing from the start:
you don’t need to do everything.
You just need to survive long enough to leave.

Four records destroyed.
Exit reached.
That was sufficient.

Series Notes

This was a single attempt, recorded as it happened.
There were no retries for recording purposes.
If I’d failed, that would have been the post.

I may return to this Trial again at the same difficulty.
For now, this is the record of how it went.

Continue the Series

Surviving, not suffering.

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The Outlast Trials Hub Is Live

I’ve added a new hub page to the site for The Outlast Trials.

As the Survivor’s Dread side of the blog continues to grow, it made sense to give Outlast its own space — somewhere that keeps everything organised, easy to navigate, and separate from the calmer survival runs.

The hub brings together all Outlast Trials–related posts in one place, including logs, reflections, and anything else that emerges as the series develops. No hunting through categories. No guessing what order things came in.

You can find the hub here:

The Outlast Trials – Survivor’s Dread Hub

This doesn’t mark a change in tone — Outlast is still intense, uncomfortable, and deliberately unsettling — but it does give it a clearer structure on the site. A dedicated place for controlled panic, bad decisions, and learning the hard way.

As more entries are added, they’ll all live there. One page. One thread. No chaos in the navigation, at least.

If you’ve been following the Outlast content so far, that’s now the best place to keep track of it.

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The Outlast Trials – Trial Log #1: Kill the Snitch

This is the video companion to my first real Trial in The Outlast Trials.
A full, uncut solo run of Kill the Snitch, set in the police station.

No highlights.
No edits.
Just forty-four minutes of slow movement, bad assumptions, and learning the hard way.

Viewer discretion advised. The Outlast Trials is intended for mature audiences and contains graphic violence, disturbing imagery, and psychological horror. This content may not be suitable for all viewers.

All Trials in this series are played solo.

The Trial

  • Trial: Kill the Snitch
  • Location: Police Station
  • Mode: Solo
  • Difficulty: Lowest available
  • Runtime: 44 minutes (full run)

Even on the lowest difficulty, the tension never really lets up.
Standing still feels dangerous, objectives act like bait, and the moment you assume you’re safe, the game corrects you.

The Video

This is a slow first run, and that’s intentional.
I wanted to understand the rules of the Trial before pushing difficulty or modifiers.

First Takeaways

  • Clearing an area doesn’t mean it stays clear
  • Objectives attract attention
  • Being stationary is often the most dangerous choice

When things went wrong, it was usually because I misjudged sound, timing, or commitment — not because the game pulled a trick.
That consistency is what made the Trial so unsettling.

Where This Fits

This video is part of Survivor’s Dread — survival horror focused on tension, pressure, and endurance rather than mastery.

I don’t know how many more Trials will follow.
If there’s another, it’ll be logged the same way.
If not, this stands as a record of the experience.

Surviving, not suffering — even when the chaos is real.

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🩸 Derailed & Doomed: A Choo Choo Survival Diary Epilogue: The Train That Didn’t

🩸 Derailed & Doomed — Epilogue: The Train That Didn’t

“Somehow, I lived. Charles didn’t. And yes, I’m framing that sentence.”

Series complete — one survivor, one destroyed monster, zero refunds for train tickets.

Final Whistle: What Victory Looked Like

The last chase was part boss fight, part scrap economy, part improvised flamethrower cookout.
I juggled weapons, patched a screaming locomotive with spare metal like a field surgeon with duct tape,
and learned that momentum beats panic nine times out of ten. On the tenth time, you just pray your train is pointing the right way.

Charles tried the usual: ambush, vanish, reappear somewhere inconvenient. I answered with speed upgrades,
a trigger-happy finger, and the stubborn belief that if I kept the train moving, fate would have to jog to keep up.
When the smoke cleared, only one of us was still on the tracks. Spoiler: it was me.

Why This Game? (And Why Now?)

I first saw Choo Choo Charles on TikTok while it was still in development — one of those “this shouldn’t work, but it absolutely does” moments.
It stuck with me. When I started Survivor Incognito, Charles rolled back onto my radar like a bad idea with great marketing.
This run was me finally cashing that ticket: a strange, scrappy, horror-tinged road trip that fit my brand of portable chaos a little too well.

Triumph, But Make It Practical: What I’d Tell Future Me

  • Speed first, always. You can’t out-tank what you can outrun.
  • The bug spray is your friend. It doesn’t just slow Charles down — it buys you breathing room, literally.
  • Scrap is a second health bar. Hoard it like snacks before a boss rush.
  • Plan your egg route. Less sightseeing, more line-of-best-fit between objectives.
  • Permadeath rule kept me honest. Every choice mattered because strikes mattered.

Lore-ish Debrief: Aftermath on the Island

With Charles gone, the island felt louder in a different way — wind in the trees instead of whistles in the dark.
The tracks creaked like they’d finally exhaled. People came out of their houses and stopped pretending the storm was “just weather.”
It’s not a fairy-tale ending. It’s a train line with fewer teeth marks.

What the Run Meant (to Me and the Blog)

This wasn’t just a boss fight; it was my first proper win added to the blog’s record — proof that I don’t just curate chaos,
I occasionally navigate it. It’s also a reminder that Survivor Incognito isn’t about masochistic difficulty;
it’s about tension you can feel and choices you can live with (even if some of them involve flaming arachnid locomotives).

Supercut: Coming Soon

I’m assembling a full-series supercut — the whole journey from first toot to final kaboom — so you can watch the story unfold without jumping between posts.
It’ll land here when it’s ready.

Credits, Thanks, & Tracks Ahead

Thanks for riding along — in comments, on the blog, and across the socials. Next up: more survival, more diaries, and definitely more poor decisions told with a straight face.
If you’re new here, the hub has everything in one place.

Continue the Journey

🔙 Read the Final Battle Log |
🗂️ Derailed & Doomed — Series Hub |
👀 Survivor’s Dread — Horror Series Hub

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